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Articles and publications tagged Theater across the Atmosphere.
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Wirthsicht
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Oct 3, 2026
Alten-WG trifft Nachwuchs-Spießer: „Wir sind die Neuen“ im Cassalla Theater
Kassel. Ein fulminantes Plädoyer für Toleranz und das Miteinander zweier Generationen bringt der Verein „Kleine Bühne 70“ auf die Bühne des Cassalla Theaters. Unter der Regie von Christian Hahn begeistert die Generationenkomödie „Wir sind die Neuen“ von Ralf Westhoff mit Wortwitz, Tiefgang und schauspielerischer Präzision. Die Ausgangslage ist ebenso realistisch wie amüsant: Anne, Eddie und...
Cassalla Theater
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Kassel
web-goddess
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Sep 26, 2026
The Scott Sisters: Pioneers of Science and Art
Last night my friend Meredith accompanied me to the State Library for another of their special 200th anniversary events. This one was devoted to Harriet and Helena Scott, two of Australia’s best natural history illustrators. I knew that the Haydn Ensemble would be playing, but other than that I really didn’t know what to expect. […]
statelibraryofnsw
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Music
web-goddess
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Sep 23, 2026
Fringe Festival
I was back at the PACT Theatre tonight for my last scheduled Fringe volunteering session. Both shows were basically sold out, and it was fun to see so many folks there excited to see some art. The first show was GIRLS GONE WILD, in which five women (archetypes) attempt to embrace wellness and toxic positivity […]
sydneyfringefestival
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Photo Post
web-goddess
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Sep 17, 2026
THE FOOL (or, Francesca Giselle)
This was the show that we helped with last night at the Sydney Fringe Festival, and it was amazing. tl;dr if you like experimental theatre and you can get there, you should go! Honestly, from the description it’s not a show I would have booked tickets to myself. That’s kind of the ideal thing for […]
sydneyfringefestival
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Theater
web-goddess
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Sep 9, 2026
Sydney Fringe
Tonight’s volunteer shifts were at the Entertainment Quarter. I saw a bit of Return of the Godz, where fit guys did aerial acrobatics and threw knives in skimpy Greek costumes. Excellent! And then I scanned tickets for “Love at First Bite,” where a large group of gender and body diverse goths danced through various tableaus […]
sydneyfringefestival
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Photo Post
STARING INTO THE V⚫ID
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Sep 2, 2026
Filming a Live Performance is Sabotage
The fundamental heart of a live performance is interaction with the audience. Energy is shared between performer(s) and audience, creating something more profound than the performance by itself. Filming a live performance is cutting out this heart in order to manufacture a vapid facsimile. The filmer is a combatant, willfully cutting out the heart of the performance in order to create a lifeless commodity. The combatant's choice to shift their attention away from the performance in order to prod...
theatre
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theater
The Journal for Cultural and Religious Theory
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Aug 24, 2026
Caught in the Act: Voyeurism and Performance in Augustine’s Confessions
Paige Spencer reads Augustine’s Confessions through performance theory, exposing the unresolved voyeurism at the heart of its performativity.
1
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augustine
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confessions
Dirk Bachhausen
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Jul 23, 2026
(taz) Queeres Theater in der Kirche: Eine Pfarrerin entschuldigt sich
23. July 2026 Queer, bunt, musikalisch: Das Theaterstück "Queeratorio" in der Neuköllner Genezarethkirche lädt dazu ein, über Gemeinschaft und Glauben nachzudenken. Direktlink Hier den Artikel weiter lesen...
entschuldigt
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kirche
Tedium: The Dull Side of the Internet
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May 1, 2020
Box Office No-Go
Why the conflict over the movie industry’s embrace of video on demand reflects a century-long symbiotic relationship gone sour. AMC is just Trollin’.
movies
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movie history
Tedium: The Dull Side of the Internet
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Apr 24, 2017
Addicted To Spectrum
Wireless microphones are a hugely important technology for the stage, but the mobile industry keeps crowding out the theater industry's wireless spectrum.
acting
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microphones
The Journal for Cultural and Religious Theory
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Jan 1, 2007
Shylock After Auschwitz: the Merchant of Venice on the Post-Holocaust Stage – Subversion, Confrontation, and Provocation
antisemitism
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shakespeare
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